manuscript mondays: the lily pad paradox

On Mondays, I am simplifying. Here I shall give you small, little glimpses into the manuscript draft I am working on for my forthcoming book. As always, the comment section is open to discuss these strands of thought.

Antonia and I sit in Common Grounds on the last day of classes, two weeks before we shall graduate from our undergraduate degree in, for lack of a better term, books. We only half talk to each other, doing our best to actually accomplish something other than chatter, a looming final paper due the next week that we pretend to work on, when all the while what we're really doing is eavesdropping on the first date unfolding in front of us and, twenty minutes later, the flock of graduate student TAs who come in to grade papers and complain about the inability of the junior in college to construct a thesis statement and who speak to each other as if they were being graded on their ability to utter the word epistemological with the same practiced casualness as I use to order my coffee.

Eventually, the lack of work being done is obvious and we break down and talk. We gush over our favorite parts of books and think through the hurtles of the oral defense we have to sit in three days, when all those books in our major of books are supposed to be recalled and articulated into a seamless whole. We talk about postmodernism and how we can't stand to read Hobbes. Antonia talks about arranging books according to who needs to be talking to whom, dead or alive, and how Martin Luther and St. Teresa have been locked in wordless proximity for the whole semester.

Because our conversations turn this way, we talk about the Eucharist in the twelfth century, about Real Presence, about grace, and then about the timeliness of God. This invariably gets us talking about how we came into Baylor determined that we were secure in not only our Faith but also denominational allegiances--me the Southern Baptist and she the confused-free-church-somewhat-charismatic. We appropriately juxtapose this thought process with wondering what day the Bishop is coming to bless those being confirmed in the Episcopal church we both now attend and thinking through how our families will fare when they come to church with us on Mother's Day, the day after our graduation, which happens liturgically to be the last Sunday in Eastertide before the Ascension of Christ.

"It's weird," Antonia says, "The process to here has been so tenuous. I can see all the places where it could have gone differently. They're just lily pads along the way."

We talk about free will then, about how we have it but He has it, about how we're here because He brought us here even though we chose, and that hedge of protection that flies around evangelical prayers the way give us Thy peace does in the Episcopal comes to my mind.

I think about it on the way back to my dorm, on my way upstairs. I think about how I am grateful that God has set me on this path, has been my hedge of protection, has let me read this saint and that one, has given me the lens He has given me to have. But then I realize that there's something outside of my choices in it and His guiding of me. For there were professors and authors and parents and mailmen who had been uniquely formed, in no small part, to get me here. And they had their people getting them here too. And I keep tracing it back like a huge genealogy of the human race, back and further back until Adam and Eve, then further still, to that time before there was time, before the foundations of the world, where God foreknew it all and decided, in wild mercy, to include me in the narrative He was going to unfold.

Yes, the whole process from start to finish is tenuous. It's the lily pad paradox: we're leaping from instability to instability like we have a choice in our landing, which we do, in part, but we forget that spacial positioning is more than left or right or across. It's up and down, too.

And the Water keeps holding us up.

the forty-second formica friday

It's that time again, another Formica Friday, a treasure trove of hodgepodge, random tidbits, and a bit of this and that. In particular, it is the place where I can celebrate the best posts I read this past week and want to share with you.

A quote:

[Speaking to an icon of Christ.] "And," I say after a minute, "it is enough. It actually is. If this is all I ever have, this glimmer of knowledge that you were born in a manger, that really will sustain me. But," I add, "I really hope it doesn't have to sustain me." I really don't want it to be just me and the icons for all these Christmases forever.

-- Lauren F. Winner, Girl Meets God

A list, in which I describe what I am thankful for:
  • my loud, wonderful close friends, like brother and sister, who picked me up off the floor and told me to walk
  • the unexpected arrival of friends far away
  • the gift of words, in which I learned to fall into once more
  • a best friend like a brother and all that follows from that
  • being able to do laundry, over which I nearly cried with relief
  • the safe return of Paige Haas to her family
  • as of the present, Paige had been seen but still has not been reunited with her family, who continue to seek her and we pray for her safety
  • we understand that Paige is now safe with her family
  • a thesis director who believed in me, who had enough faith to say, "try"

Posts, websites, trinkets, and the Internet week in review revue: (after the jump)

  • Sarah Bessey is, I have said, an exceptional writer. What's more is that she is an exceptional and thoughtful writer regardless of topic. Put a pin in that: In which I wonder about Pinterest
  • The places we have been are written into our very bones, have become part of our being, and Anna Blanch gives us a few thoughts as to how and what that means. Written In My Bones
  • Are war movies the secular response to the passion play? Mason provides a fascinating introduction into thinking critically about modern engagement with the violent. of Passion Plays and War Movies.
  • and because I rejoice that she's writing and understand what she means about painting, Amy with Emerging
And, as always, an old post from me:
---
Like this post? You can like the blog and keep up with it on Facebook here.
---
Have a post from the week you'd like to share? What was your best post this week? Or did you read someone else you just have to let us know about? Leave me a note in the comments below!

life: unmasked -- when your thesis is "passable"

Today, I share a post about life: unmasked, a blog meme started by my sensational friend, Joy.

---

I lay on the floor of my room, knees pulled to chest, dry eyes blinking slowly. "In," I whisper to myself, "Out." I repeat it three or four times, keeping my eyes fixed on the pile of clothes--dress shirt, brown belt, dress pants, Toms--that I had pulled off when I had gotten back, feeling like I was so constrained I couldn't breath. "In," I whisper again, "Out."

A piece of stationary slides beneath my door.

I hate this day.

No one has to know. No one ever has to see this paper.

My thesis director tells me this as he hands over my defense form. There's a bend in it, down the center, and he doesn't even write the word "Passable" in the blank, which is what the other readers had called it, this thesis of mine that lies in slashed ribbons on the floor around us.

It wasn't like a shot. There was no quick pull of a trigger. It was a bloodletting. Slow wounds. Slow, harsh cuts. My project had not been entirely understood or comprehended, in spite of the many caring and encouraging words I received from my director, an internationally renowned scholar and strikingly faithful man, the outside readers had not been amused by my attempt to be an exegete myself. We did not spend much time speaking about Scripture, but genre, form, categories. We spoke about everything I don't much like talking about and spent no time on the things I think matter more than anything.

And I watched all that I thought was solid melt into air.

By the time the hour was over, I knew it had been a loss. On the sliding scale of thesis grades, I had come out with the lowest possible ranking just above outright failing and having to rewrite the entire project.

"In," I kept whispering to myself, "Out." At some point, I began to cry.

I'm supposed to be writing a book about reading the Bible well. How am I supposed to do that now?

For nearly a year, I had worked fingers to the bone trying to write what I thought was an exceptional blend of scholarly consideration and personal creativity in conversation with the Tradition. But it had not been seen as that; it had been seen as something cute, something trite, something common.

At one point, I tried to defend myself by explaining it was a form of prayer. Because, for me, the monks taught me to pray well. They taught me to form my imagination by the Scriptures.

It's a prayer journal.

That's what they called it in response. And not in an uplifting sort of way. In a common way. In a passable way.

"In," I hissed, through clenched teeth, "Out." The tears blurred my eyes as the second piece of stationary slipped under my door.

Passable.

I tried not to let it be personal, to receive it like an academic. But what I had constructed was a kind of art, not an article, and the word passable felt like a pronouncement over my life and its work more than it did this thesis. Because my thesis was an extension of myself. I left a piece of my soul within its pages.

What are you doing?

I stop reminding myself to breath. I reach a hand up to heaven, unsure of what to say. It's one more thing. It's one more feeling of being outcast. One more misunderstanding. One more time in which I feel completely and undeniably other.

And I don't have an answer for Him beyond that, beyond that I feel as if my soul has been stabbed because, once more, I am not good enough to be in the circle.

Get up. Get up. I formed your hands. Get up.

I hate this day.

"I hate this day!" I breathed into the void between me and abandoned clothing.

After a moment, my outstretched hand caught my eye. "He formed my hands," I whispered, blinking through tears.

And something clicked. I pulled myself off the floor and wiped my eyes. I looked over to find two pieces of stationary from my best friend, two encouraging reminders of how I am seen, even when I don't feel that I have been. I went to the bathroom to wash my face, then changed clothes.

What do you do when your thesis is passable? When you feel that your life, your academic career, has been pronounced passable?

You remember your thesis presentation, in which you felt more affirmed of your life and calling than you had in years. You remember that you knew you were taking a risk with the kind of project you wanted to pursue, but that you pursued it under the most extraordinary of directors. You remember that He formed your hands. You remember that this day you hate is the day the Lord has made, that the gates are to be entered with thanksgiving in your heart, the courts with praise.

And you remember why you wrote it in the first place, why you write at all:

This shall be written for the generation to come: and the people which shall be created shall praise the Lord.

You wash your face. You change clothes. You pick up a pen and you start the slow, tenuous process of writing your way back into confidence, back toward Mystery, back beneath the banner of joy.

Because it's not for or about you, ultimately. It never has been.

Even when, right now, each step forward feels like a knife puncturing your lungs.

And this, friends, is a bit of life unmasked.

---

It is my joy, with Joy, to share here words that expose life honestly, openly, and messily. Some days my posts for this meme are about this chaos of being, other days I manage a bit more gentle words.Would you join us in sharing the vulnerable times, the unordered times, the unkempt rooms? 

Life: Unmasked